2 People Going To School With Animals People Manga Writing and Selling a Children’s Graphic Novel – Writer – The 10 Most Common Questions

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Writing and Selling a Children’s Graphic Novel – Writer – The 10 Most Common Questions

The most exciting new category to emerge in the changing world of book publishing is the Children’s graphic novel. That’s a distinction that may be lost on some people who may still believe that graphic novels, which are essentially comics published in book form, are all for children. Most of the time people are more understanding these days and realize that graphic novels are, in fact, written for just as many audiences and types of readers as traditional books.

The confusion arises because “graphic novel” is used to describe just about any type of book featuring comics, other than manga (Japanese comics). Unlike other sections of the bookstore, such as “Mystery,” “Science Fiction,” or “Romance,” “Graphic Novels” is not a genre name, but a category. Like “Audiobooks,” which can also encompass many genres, “Picture Novels” are not one type of book. In other words, until recently all types of graphic novels have been lumped together in one section regardless of content.

The good news is that the Children’s Graphic Novel is the first genre to break away from the generic Graphic Novel category. A smart move on several levels, especially since bookstores need to be sensitive to customer needs—especially parents who don’t want to accidentally buy inappropriate material for their children.

Therefore, as a new branch is taken out of the ever-expanding libraries, the publishers know that it is very important for the equipment to meet this new demand. And that’s when aspiring writers began to scramble to see if they could tap into this new look. But what do they really need to know if they hope to actually sell a Children’s Graphic Novel to a publisher? Let’s take a look at, and answer, some of the most common questions…

1) Do I need to be an artist?

No, but it doesn’t hurt if you are, and your proposal should include either every completed children’s graphic novel or a scaled example. If you are not an artist, then you will need to find one. Comics are obviously a visual medium, so if you’re not an artist, it’s important to think visually. If you want to keep a child’s attention throughout your Children’s graphic novel, it’s important to keep the graphics as compelling and fun as your text. If either the story or the artwork looks boring, why would a child want to read your graphic novel? For the best guide check out Will Eisner’s Funny and Each imageWill Eisner’s Architectural History and Visual History, and Scott McCloud’s Understanding Comics: The Invisible Art.

2) How do I find a Children’s graphic novel artist?

There are many ways. One is about going to comic conventions, especially those in big cities that feature portfolio reviews. Many professional or would-be comic book artists attend these conventions in hopes of finding work from becoming comic book editors. Simply introduce yourself to these artists, explaining that you are hoping to find an artist to work with to propose a Children’s graphic novel. Don’t feel obligated to work with the first artist you want to work with. It may be best to suggest that you are looking for the right artist for your project, and you will need to review the work of several artists to find the right one. Another way to find an artist is by reviewing samples posted on deviantart.com

3) Do I need a contract with the artist?

To be safe, it’s probably best to have a written agreement between yourself and your artist before you start working together. For the best legal advice it is always best to consult a lawyer. But if that’s not practical, you should get an agreement in writing between yourself and your actor that spells it out as much as possible, specifically as much as possible. You want to be fair, so the goal of the agreement is to meet your expectations and goals, and to make allowances for both parties to be able to walk away if things don’t work out. Regardless, it should be clear that the copyright to your story is yours alone. Copyright to artwork may belong to the artist.

4) Is there an app I can use to format my manuscript?

It may well be, but you don’t need it. A comic script is similar to play, television, and film scripts, except it’s divided into pages rather than scenes. While dialogue scenes can last for pages on end, especially in games, comics and graphic novels there is a limit to how much art and dialogue can actually fit on a physical page. It would be wise to study graphic novels similar to what you hope to do to gain a clear understanding of reading text in balloon text and captions. Keep in mind, there are no hard and fast rules. If you want to tell sequences without any words at all, where you let the pictures tell the story (like the many silent scenes in Alfred Hitchcock’s films or in the incomprehensible speech sequences in Brian Selznick’s The invention of Hugo Cabret), it is important that you give your artist as much information as possible. Unlike today’s movie screens that leave character and set descriptions, as well as detailed information for each and every shot, comic scripts should have as much information for the artist as possible.

5) Where can I find a sample script?

Like everything these days, you can find many comic scripts online. The basics are pretty simple, as this short example page illustrates:

Lord Snuggles [Title of Children’s Graphic Novel]

Page Five [This is the fifth comics page, not necessarily the 5th script page]

Committee One:

(Mr. Snuggles runs to the front door of the apartment with a teddy bear in his mouth.) [Description of artwork for first panel.]

Illustration 1: It’s 6:00 PM and even though Mr. Snuggles can’t tell the time, he somehow knows when Cortney will be home. [Text for first caption.]

Board Two:

(Close-up of Cortney’s hand inserting her key into the lock of the front door of the apartment. The key is on a key chain with other keys and a small figurine of a dog that looks a lot like Mr. Snuggles.)

SFX: K-PRESS [Sound Effect.]

Three Committees:

(The bedroom door opens, and Cortney is happy to see Mr. Snuggles. Snuggles is also happy to see Cortney and leans in to eat her. Mr. Snuggles has dropped his teddy bear so that he can open Cortney’s eyes.)

Chapter 2: .. and you are always there to give him satisfaction.[Note numbering of captions and word balloons is by the page, not by the panel or throughout the entire book. So Caption 2 indicates that this is the 2nd caption or word balloon on the page.]

Cortney 3: Hey, nice to see you too, little fellow!

SFX: SLURP!

6) How do I know how many panels to place on a page?

It depends on how big the printed page will be, and how much has happened between your panels. European graphic novels tend to be larger than American graphic novels, and have many more panels per page, however the format has not proven to be popular in America. Even Classic like Tintin has been adapted into pamphlets in recent years. Standard American comics, which measure 6 ½” x 10″ usually average from four to six panels per page, which is fewer panels per page than was the norm in years past. . Manga or digest-sized comics will have fewer panels per page or more simple page layouts. But again, there are no rules—once an unusual Children’s graphic novel becomes a bestseller, it’s a guarantee that Children’s graphic novel publishers will start publishing in that volume.

7) What kind of subject is taboo?

That’s a tricky question, and the answer really depends on the publisher. Most major publishers hope to sell as many Children’s Graphic Novels as possible, especially to schools and libraries, and are not very keen on testing the boundaries of what they do. acceptable and what not, like to play it safe. Other independent publishers who are more confident may be more inclined to address controversial issues, in a politically correct fashion, to generate publicity and attention. Because Children’s Graphic Novels are so visual, they are often even more conservative than many traditional Children’s Books. While there are some questionable words or scenes in such classics as Mark Twain’s Tom Sawyer or Daniel Defoe’s Robinson Crusoe, they buried it in the text of the book, when any kind of controversial event could easily be removed from the text, by holding the page in front of the television news cameras, and pretending to be surprised by what they the publisher of evil is feeding our innocent children. Therefore, most people who buy Children’s Graphic Novels for bookstores, schools, or libraries are careful to avoid ordering anything dangerous or controversial. The end result is that many children may find the content in a Children’s graphic novel to be too boring or juvenile for them. This is a constant challenge to publishers—to provide Children’s Graphic Novels that can get past the overly protective gatekeepers and still be entertaining and hip enough for today’s kids.

8) Do I need an agent?

While many traditional publishing houses still rely on dealing exclusively with agents, many graphic novel publishers are willing to work directly with authors and artists. Because this is still a relatively new development in the world of traditional book publishing, the doors are still open to authors without agents. Even literary agents have not figured out how to respond to the demands of this new category. Children’s graphic novels are not the same thing as children’s books. In fact, most Children’s Book editors won’t even look at a Children’s Book proposal with an artist attached, while editors looking at Children’s Art novel proposals won’t know how to find an artist for graphic novel at this point.

9) How can I find a publisher?

If you have an agent, that will be the agent’s job. Without an agent you need to be ready to do a lot of research. Many authors make the mistake of only considering existing Children’s Graphic Novel publishers as their only potential publishers. It is true that many traditional publishers may consider publishing a children’s graphic novel if it is something they believe is the right fit for publication. For example, a business book publisher may not be able to publish a children’s graphic novel about a group of pixies fighting dragons, but they may be interested in publishing a graphic novel that tries to explain basic business concepts—how a checking account works. works, for example-to children. Publications like Publications Weekly can give a good overview of the publishing field and can provide invaluable information on countless publications. Also, self-publishing has become much more common as the technology for print-on-demand has improved. There is no longer a stigma attached to the so-called “vanity” of publishing before as writers are increasingly eliminating the medium and the personal.

10) Does my Children’s graphic novel have to be published as a physical book?

No, it can be published as an ebook, especially as such technological breakthroughs as Apple’s iPad make it possible for full-color, graphic novels that children are eager to see on the screen as they want to see it. . Of course, it’s still early, and the question is – do enough kids have such expensive equipment to make it financially worthwhile to be dedicated in such a format? At this point, it makes more sense to have a digital version available as an additional option, not an exclusive format.

If there was ever a chance to break into publishing, creating a Children’s graphic novel might be it. Good luck!

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