2016 Animated Film Based On A True Story & Ernest The 7 Elements Of Creative Writing And How To Implement Them Into Your Writing

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The 7 Elements Of Creative Writing And How To Implement Them Into Your Writing

The 7 elements of creative writing are character, plot, setting, point of view, style, theme and literary devices. Just about everyone agrees on what ingredients though not about how much or how often they should be used. Even if you don’t plan to use any or all of these elements in your writing, you will write better if you know what these tools are and how to use them.


At the very least, characters serve as the plot in a story. Mostly, the characters fuel and drive the entire story. Characters can be human or not, playable or not. Readers identify with the characters, become involved enough with their fictional worlds to cheer on the unlucky and hate the nasty villains.


A special suspension of disbelief occurs in the readers’ minds when they are reading and enjoying the stories. This suspension can only be achieved when the writing has verisimilitude, which means believability. The reader who always has reason to question the validity of the character as written, cannot enter a suspended state of disbelief. Therefore the characters must be realistic to attract and connect with the readers.

The connection to the characters can be deep. Think of the many memorable lessons you’ve read that still seem more real than some you know. Who doesn’t pick up some Holden Caulfield quotes and mess with them forever after reading, Catcher in the Rye?

Note that you can find inspiration for character anywhere. You can make a character out of anything. An idle character, like a hat from Mila Líla, can say a lot of good things while not having a mouth.

No Plodding Thoughts, Please

In short, plot is what happens in the story. In general, plots follow a simple arc. By the time most writers begin to write, they have been exposed to many ideas through popular culture. Every book, movie, and song has a plot – something happens. Even the game shows in thinking. Develop the habit of looking through the surface and noticing the skeleton of the plot in almost everything.

It has been alleged that there are only 7 plots in the English literature. Reading any good collection of Shakespeare’s plays will teach you those 7 plots. As an alternative, there are several good books on the plot.

Pithy old saw

A very simple but pithy old saw about Plot says that there is only one plot and to write it you find a character and set him to find something. Another old saying goes that if the plot is lagging in pace or sagging in tension, kill someone (a character, of course) to jazz things up a bit. Old saws, as a rule, should be viewed with deep suspicion and used whenever it is handy.

Line up

The setting is where your story takes place. You can have one or many, depending on your historical needs. Setting can be great, like John Irving’s use of space Until I Find You, which is such that one or two European cities can be actual characters. Alternatively, your setting could be the living room or the kitchen. Just think of the games you’ve seen that open in only a few settings, such as in Arsenic and Old Lace.

The best advice about using this article is to ask yourself how a particular program will emphasize the themes in your work. Are you using a query plot that will be better supported by the changing conditions of the trip? If your story is about an origin, a story of personal growth, then setting will seem irrelevant because that kind of question appears first in the mind of the character.

I want to believe!

The only way to make a program wrong is to use a program for no other reason than you like it. A poorly chosen plan will sound false to readers, so don’t do it. If you write in the Romance genre, cute love settings are appropriate. If you write Science Fiction, make sure you write as a scientist first so that your plans are believable even though your world is clearly fantasy. For many fine pieces of the SciFi world that you believe read anything by Robert L Heinlein.

Point of view

In general, we know that the story grows with the telling, so trust, or lack thereof, in the eye-tracking quickly becomes an important tool. Many liars’ viewpoints have been cleverly used to tell a story, such as Tom Sawyer’s The Adventures of Huckleberry Finnwith an interesting note (Tom’s many explanations to adults).

In deciding which point of view to use, first decide whose story to tell. Is your narrator the best character to tell the story? Imagine Lolita write from any but Humbert’s perspective! Do you need your essay to lie or tell the truth?

There are several options of different types of roads: first personI and I; second person, you; more common third personhe, she, Jeanne, Richard; third person all if you also see all the characters’ hearts; and finally third person limited which tells the whole story through one character.

Choose the perspective that will best express the story you want to tell in the way you want to tell it. Don’t be afraid to try writing your story from a few different angles until you find the right one. Don’t be afraid to try anything in your writing because no matter how long you’ve been writing or how much you’ve written, it’s destined to be a lifelong journey on which you always discover new things about yourself as a writer and about the past. this great that you write about (or from, in the case of SciFi’s).

We buy

The body is slippery to hold because it is made of thin, smokey ephemeral things which are transparent but still difficult to hold. It is your writing signature and is drawn from your vocabulary, syntax, rhythm, tone, and mood. It can be imitated but it is mostly by its own nature. He resisted many attempts to manipulate. He is also as individual as DNA. Read anything by Kurt Vonnegut, and then follow that with some Ernest Hemingway and you will readily see that each author is brilliant and mad-gifted and just as different from the other as possible.

Changing your style, if you want, can be achieved with inspirations such as a high definition book and specific themes. It is also possible to imitate writers with more eloquent styles, but no one is suggesting that it makes you a better writer. Some freelancers claim that they can control their styles, changing from one style to another as their assignments demand, but again, it is an argument for a reason, not an actual change of personal style. Be yourself. It’s easy and makes for better writing.


Themes in fiction are not limited to any specific ideas. Your theme(s) refers to the ‘moral of the story’ or the big ideas in your story such as murder, violence, truth, and compassion. A theme is like a configuration in that you deliberately use a theme with the intention of making it. given space rather than because it fits naturally to your story, that piece of writing will probably fail.

Show Me, Don’t Tell Me

The problem with prioritizing the use of the subject is that it often sounds preachy. Art does not preach because art teaches from the inside out, changing people in meaningful ways through the inner experience of learning, it does not shout at them until they understand because they are tired of listening.

Readers like to decide for themselves what your story means or says about the larger world. Readers don’t like to be preached at or told clearly how to interpret events in your writing. Don’t do it. Demonstrate without speaking. Lead, if you must lead consciously at all, by example. Tell your story with as little of your own prejudices and interference as you can manage. Dirty story lines that include heavy themes. You will know when you are heavy-handed by an exaggerated need to keep explaining why.

Ironically enough, no matter what theme you believe you’ve written, your readers will decide for themselves what it means anyway. And that is the wonder and majesty of art.

Literary Devices

There is no deus ex mechanism

The first literary device is called deus ex machine and it was used in ancient Greek drama. It is, in fact, a deity that is brought down with a rope on the stage when the hero needs rescuing or a godly intervention is needed quickly to solve the plot of the story. Even the Greeks who invented it knew it was cheesy. We use the word, deus ex machinenow to include all kinds of cheesy, convoluted plot decisions.

Other literary devices include but are not limited to allusion, allusion, epigraph euphemism, foreshadowing, images, simile/simile, and personification. You may not plan to use any of these, but remember that everything we write, ever, contains these devices, and they are very useful for writers. As with all tools, use the right one at the right time but don’t use a tool in a good writing space or else you too will be cheesy.

How well you have noticed

We know that our readers always pay attention, but some of you like to experiment, so here is a question on this article. The answers are not hidden just below the questions, you on your honor, no cheating.

1. It’s a great idea to use deus ex machina to solve plot dilemmas.

2. Only images are used in animated stories.

3. It is a good idea to use a strong sermon theme in your stories.

4. Ancient Greek playwrights used diction.

5. Predictability is the best brand of eye shadow.

6. Fire is one of the 7 elements of history.

7. You must use each of the 7 elements of the story at least one time per story.

8. Your author has far too much for making up this experiment.

Answers: F, F, F, F, F, F, F, T

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